Christina Li is a curator and writer who works between Hong Kong and Amsterdam. As director of Spring Workshop, Hong Kong (2015–17) she curated projects such as A Collective Present (2017), Wu Tsang: Duilian (2016), and Wong Wai Yin: Without Trying (2016). Her recent shows include Pilvi Takala: Close Watch, Pavilion of Finland at the 59th Venice Biennale (2022), Xinyi Cheng: Seen Through Others, Lafayette Anticipations, Paris (2022); …pausing barely, barely pausing…, A Tale of A Tub, Rotterdam (2021); Palms, Palms, Palms, Z33, Hasselt (2020); Shirley Tse: Stakeholders, Hong Kong in Venice, Hong Kong’s presence at the 58th Venice Biennale (2019); and Dismantling the Scaffold, Tai Kwun Contemporary, Hong Kong (2018). Li’s writing appears in Artforum, Art Review Asia, LEAP, Parkett, Spike, and Yishu Journal of Contemporary Art among others.
Initiated by Korakrit Arunanondchai and Akapol Op Sudasna, Ghost Foundation’s mission is to create a platform and foster a community for video and performance art in Thailand. By organizing the Ghost series and related activities, the foundation is committed to information accessibility and knowledge production.
OPEN FIELD is a Bangkok-based non-profit organization grounded in contemporary and everyday culture and knowledge as transformative power that can advance society. The platform undertakes research and educational programs, and aspires to sustain critical dialogue, improve access to knowledge and art experiences, and foster community.
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